A Gracious Conclusion to a Cherished Tale

“Sometimes, I believe that the past is a more comforting place than the future,” reflects one character in the likely concluding Downton Abbey film. This sentiment likely resonates with dedicated fans of the beloved series, featuring six seasons and three films. Although societal changes are underway in the 1930-set installment, Downton enthusiasts will be pleased to see nearly all the familiar faces return (excluding the deceased characters, who make appearances in various ways) for this final chapter, which revisits cherished themes, gentle humor, and exquisite drama.

A new addition, however, brings the comedic flair to Downton Abbey: The Grand Finale: the real-life figure Noel Coward (brilliantly portrayed by Arty Froushan). He injects the sharp wit reminiscent of Maggie Smith’s Dowager Countess, enriching an already crowded ensemble that might require a scorecard to keep up with.

The narrative kicks off in 1930, with several characters from both the upper class and the servant class attending a performance of Coward’s operetta Bitter Sweet in the West End (with the latter seated in the rafters). Although the mood appears festive, underlying tensions surface, particularly when Robert (Hugh Bonneville), Cora (Elizabeth McGovern), and Mary (Michelle Dockery) make an appearance at a high-society ball. Mary’s divorce quickly makes her an outcast, leading the imposing hostess (Joely Richardson) to demand her departure.

Shortly after, Cora’s brother Harold (Paul Giamatti, another standout) arrives from America with troubling news. Guided by the slick financial advisor Gus Sambrook (Alessandro Nivola), he has squandered much of the family fortune, putting Downton Abbey in a perilous financial situation. Mary remains oblivious to this until after a brief romantic encounter with Gus, whose charming demeanor offers her a momentary distraction from her troubles.

True to the franchise’s style, the film presents a mixture of comedic and dramatic subplots. These include the reluctant retirement of butler Carson (Jim Carter), who is hesitant to pass the baton to his eager replacement Andy (Michael Fox). Meanwhile, Isobel (Penelope Wilton, impressive as ever) takes the lead in organizing the County Fair, shaking things up by including Carson and cook Daisy (Sophie McShera) on the committee, much to the chagrin of the pompous Sir Hector Moreland (Simon Russell Beale).

Another significant thread follows Cora’s attempt to rehabilitate Mary’s reputation by throwing a party, which faces obstacles when neighbors decline their invitation. However, Edith (Laura Carmichael) concocts a plan to invite Coward, who is in a show starring their friend Guy Dexter (Dominic West), now secretly involved with former servant Thomas (Robert James-Collier). The news of Coward’s attendance spreads like wildfire, leading to a successful event where Coward not only entertains but also scribbles ideas for Private Lives upon learning of Mary’s predicament.

The film’s intricate plot may feel overwhelming at times, leaving viewers nostalgic for the slower pace of previous episodes. Yet, Julian Fellowes’ witty writing remains engaging. A notably touching scene involves Robert seeking wisdom from Carson about transferring Downton’s control to Mary, exemplifying the profound connection between the two men from different worlds. Ultimately, Downton Abbey: The Grand Finale aims to provide closure for devoted fans, especially evident in its concluding moments, featuring a nostalgic montage of past series highlights, concluding with a tribute to the late actress whose impact on the series was immeasurable.