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<h2>The Boxing Film Genre</h2>
<p>The boxing film genre was particularly prevalent in the 1930s and 1940s, showcasing iconic classics such as "The Champ" (King Vidor, 1931) and "Body and Soul" (Robert Rossen, 1947). The genre saw a resurgence in the 1970s with the massive success of "Rocky." However, films focused on female boxers are scarce, even though Clint Eastwood’s Oscar-winning "Million Dollar Baby" seemed poised to make an impact. While Karyn Kusama directed "Girlfight" before that, and a few lesser-known films followed, stories of female boxers have largely remained underrepresented in cinema.</p>
<h2>About the Film "Christy"</h2>
<p>Directed by the talented Australian filmmaker David Michôd ("Animal Kingdom"), the film "Christy" aimed to transform Sydney Sweeney into a female equivalent of "Raging Bull." Boxing movies often demand significant physical alterations from their leads, often leading to Oscar nominations or wins, as seen with Robert De Niro. For her role as Christy Martin, Sweeney was required to gain weight, build muscle, undergo intense training, and wear a mullet. Unfortunately, the film did not perform well at the box office, received mixed reviews, and Sweeney’s aspirations for an Oscar nomination might have to wait due to distractions surrounding her American Eagle campaign.</p>
<h2>The Plot of "Christy"</h2>
<p>The storyline of "Christy" spans approximately two decades, starting in 1989. It follows Christy Salters, a lesbian teenager from a conservative West Virginia coal-mining family, who rises from a basketball player to a successful boxer, initially guided reluctantly by trainer Jim Martin. Her journey mirrors elements of "Rocky" with echoes of "Mo Cuishle" from "Million Dollar Baby." Christy earns the title "The Coal Miner’s Daughter," invoking memories of the film that earned Sissy Spacek an Oscar for portraying Loretta Lynn. Like that narrative, Salters' story is a classic rags-to-riches tale, but success in the boxing world, as past films show, often comes with its own hardships.</p>
<h2>Highlighting Homophobia and Violence</h2>
<p>By delving into Christy's life, now Christy Martin after marrying her coach, David Michôd and co-writer Mirrah Foulkes reveal darker themes of homophobia, exploitation, gaslighting, and domestic violence culminating in an attempted murder.</p>
<h2>Christy Martin’s Boxing Legacy</h2>
<p>Boxing enthusiasts are familiar with Martin’s remarkable achievements: she secured numerous victories and made history as the first woman featured on the cover of "Sports Illustrated" with the punning headline "The Lady Is a Champ." Netflix's 2021 documentary "Untold: Deal With the Devil" further explores her life. Despite her vocal prowess in fights, she learned that she faced significant challenges, most notably from influential boxing figure Don King (portrayed by Chad L. Coleman) and, alarmingly, her husband, played disturbingly well by Ben Foster. In an unsettling scene, she is taken to a grim motel to face a man in a boxing match for payment, implying a troubling dynamic.</p>
<h2>Character Simplification and Conflicts</h2>
<p>While the film illustrates her struggles against an unfriendly world and a toxic marriage, it simplifies the complexities of Christy’s character. The boxing matches serve as metaphors for her fight for sexual identity versus the demands of being a compliant wife, a conflict presented rather straightforwardly, contrasting empowerment in the ring with domestic repression.</p>
<h2>Performance and Final Thoughts</h2>
<p>Despite its faults, "Christy" delivers a compelling narrative. Sweeney’s performance, notably strong in past projects like "Reality," showcases her range beyond mere publicity. Although her character occasionally remains static over the years and is often subjected to patronizing or violent treatment, Sweeney manages to infuse depth into her role. Christy finds fleeting moments of solace with a former high school girlfriend (Jess Gabor), yet their connection appears somewhat underdeveloped. Ultimately, Sweeney’s presence is a major reason to watch the film, which she also co-produced.</p>
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