When people think of “boxing movies,” they might envision something exciting and lively. However, a closer look reveals a significant amount of pain woven into the genre, resulting in many boxing films being quite somber. For instance, “Requiem for a Heavyweight” offers a mourning reflection on the dark side of the boxing world. Though “Rocky” is celebrated for its inspiration, it concludes with Rocky’s defeat. Meanwhile, “Raging Bull” combines Shakespearean tragedy with intense violence, and “Million Dollar Baby” tells a tale of sacrifice. Recently, the Toronto Film Festival presented “The Fire Inside,” a gritty boxing biopic that experiences its moment of triumph early on, forecasting a downward trajectory thereafter.
This year at TIFF, we are introduced to “Christy,” a compelling and unique boxing biopic that features Sydney Sweeney in an impactful and transformative role. She portrays Christy Martin, who emerged in the late ‘80s as a pivotal figure in women’s boxing, ultimately becoming one of the sport’s most distinguished and successful female athletes in the United States.
Christy was the first woman to grace the cover of Sports Illustrated and to sign a contract with Don King. Sweeney brings an exuberant swagger to the character, who—though relatively petite and girlish when she starts boxing at 21—consistently secures knockout victories, driven by a personal ferocity as she confronts her demons.
In the ring, viewers are captivated by her fierce concentration and ecstatic triumphs, evidenced by her joyful celebrations after each win. Originating from West Virginia, she becomes known as “the coal miner’s daughter,” a fitting moniker that emphasizes her roots and femininity while dominating in the ring.
Yet, the narrative takes a darker turn early on. Christy is in a secret relationship with her girlfriend, Rosie, which is met with hostility from her traditional Catholic family, signaling potential struggles with acceptance. The film suggests that Christy’s sexual identity may lead to complications, but the ensuing issues are more twisted than anticipated.
As the story unfolds, Christy partners with trainer Jim Martin, portrayed by Ben Foster, whose controlling nature complicates their relationship. Initially overlooked, their bond evolves into marriage, raising concerns about the dynamics at play as Jim increasingly exhibits oppressive behavior. Christy transforms her appearance and persona, adopting a more commercial image as her career accelerates thanks to Don King’s involvement.
Sweeney’s performance captures Christy’s internal battle as she grapples with her dual identity as both a fierce boxer and a semblance of domestic normalcy. Directed with clarity by David Michôd, the film transitions from a story resembling “Girlfight” into a powerful narrative of abuse and resilience. Unlike typical boxing films that romanticize the sport, “Christy” truthfully depicts her life’s turmoil, allowing genuine heroism to emerge from her challenges. This film may be pivotal in showcasing Sydney Sweeney’s talent, revealing her ability to fully embody and resonate with the character’s depth.
