Goodbye, Peacocks
The Golden Globes showcased a wave of conventional fashion amidst unsettling times. My overview follows. Additionally, last week’s pre-awards festivities included star-studded gatherings hosted by Tiffany & Co., Gabriela Hearst, and Chanel. Victoria Brynner discusses the upcoming auction of her mother’s fashionable collection, featuring pieces from Elizabeth Taylor and Audrey Hepburn. On a positive note, artist Norman Zammitt’s exhibit, “A Degree of Light,” opens this weekend.
Fashion in Uncertain Times
Thank goodness for that crystal G-string!
Teyana Taylor’s bold Schiaparelli gown, adorned with crystals and a striking bow, stood out during an otherwise understated Golden Globes red carpet. The amount of black clothing seen recently recalls the solidarity of the 2018 #MeToo movement. While Sunday’s predominantly black attire didn’t convey a direct political message, it certainly felt like a safe choice for these precarious times.
Could it be that Hollywood, as Nikki Glaser joked in her monologue, is acknowledging that the Golden Globes aren’t the world’s top priority right now? Probably not.
A Nod to Old Hollywood
Lisa Love, a long-time Vogue editor turned event consultant, was hired to enhance the Golden Globes red carpet experience. The introduction of a grand staircase added some visual flair to photos, despite the uncomfortable heat in the un-air-conditioned tent.
Old Hollywood style was a recurring theme, as seen in Selena Gomez’s and Ayo Edebiri’s classic black Chanel gowns and vintage hairstyles. Chanel made a significant return to awards shows under the direction of Matthieu Blazy, presenting looks that were classy yet cautious. Coco Chanel herself is known for creating the iconic little black dress, making this an on-brand moment.
Shades of Pale
Aside from black (Miley Cyrus’s sultry Gucci) or white (Emily Blunt’s Louis Vuitton gown with a unique cape), there were several stunning icy pastel options. Elle Fanning’s custom silver and lavender Gucci gown, embellished with delicate floral embroidery, resonated beautifully, alongside Kate Hudson’s luxurious pale gray Armani Privé gown.
Fashion Credits Counted
Dior had eight celebrities styled for the night, although not every outfit reflected new creative direction from Jonathan Anderson. An exception was Jessie Buckley’s light blue silk dress with a modern cut. Prada continued to make waves, dressing twelve stars, including Zoey Deutch in a stunning white silk gown that felt Art Deco-inspired.
The Standouts
Vivienne Westwood stood out with an unexpected appearance on Ariana Grande, indicating a growing popularity among younger generations. On the other hand, Givenchy showcased a singular look from Sarah Burton, worn by Jennifer Lawrence, that combined floral motifs with a daringly sheer design.
A Uniformity in Men’s Fashion
Leaping away from the flamboyant gowns of past events, men largely embraced classic black tuxedos, shifting with subtle silhouette adjustments and statement accessories. The standout in this trend was Timothée Chalamet, who opted for a sleek all-black suit from Chrome Hearts, coupled with Timberland boots. Chalamet seems to be moving away from traditional luxury brands—could a personal venture be on the horizon?
