The Connection Between Ireland and First Nations
During the Great Famine in Ireland, a significant bond was forged between the Irish and First Nations in the United States and Canada, who generously contributed funds to assist the suffering Irish population. Over 160 years later, as the pandemic severely impacted nations worldwide—especially First Nations—the enduring connection between these communities was revitalized, inspired by the spirits of their compassionate ancestors on both sides of the Atlantic.
Inspiration Behind Kindred Spirits
Amid the pandemic, Tomm Moore, co-founder of Cartoon Saloon and Academy Award-nominated director, developed the concept for Kindred Spirits. He recently showcased the first visuals for the project during a packed screening at Cartoon Movie, sharing the stage with new Cartoon Saloon CEO Anthony Leo, writer and Choctaw artist Shelley Dennis, and long-term Folivari co-producer Thibaut Ruby.
Plot Overview
Kindred Spirits narrates the tale of two children facing significant hardships. Mara, an Irish refugee in New York in 1847, encounters Tushka, a boy from the Choctaw Nation who is separated from his family. Their adventures together across America unfold under the watchful eye of Mara’s brother, Dan, who struggles with his own transition to the spirit world, as both seek belonging and a place to call home.
Historical Connections
Collaboration and Production Insights
As both co-producer and director, Moore expressed comfort in fulfilling both roles, viewing it as a blessing. Ruby, echoing the sentiment, highlighted their long-standing history with Cartoon Saloon and commitment to narrative themes involving outcasts. The production aims for a balance of creative talent from both studios, fostering a collaborative spirit in developing the film.
Engagement of Native American Artists
Cartoon Saloon has actively involved Native American artists to enrich the project’s representation. As the narrative traverses various landscapes in America, the team aims to weave in distinct artistic influences from these regions, working with talents like Choctaw artist Waylon Whitedeer and Cherokee storyboard artist Morgan Thompson. This project marks a shift in their previous focus solely on Irish tales, presenting a new creative challenge.
Looking Ahead
Anticipating its audience reach, Ruby emphasized the importance of representing diverse migration experiences in storytelling. Moore views this film as a step toward exploring the Irish diaspora’s narratives globally, highlighting its connection to impactful historical themes relevant to today’s society.
